In a few weeks time, this year’s Man Booker Prize winner will be announced.
The last two years have seen the prize awarded to antipodean writers with epic tales: New Zealander Eleanor Catton’s The Luminaries in 2013 and Australia’s Richard Flanagan with The Narrow Road to the Deep North the following year. It is the latter who will pass the winner’s baton to Marlon James, Tom McCarthy, Anne Tyler, Hanya Yanagihara, Chiozi Obioma or Sunjeev Sahota on 13th October.
I have not read any of this year’s books so cannot offer a view as to who my ‘vote’ would go to, although I have been an on and off fan of Tyler since reading Dinner at the Homesick Restaurant as part of my high school English curriculum. And dipping into prior short lists for reading inspiration in recent years has given me the beautiful prose of Tan Twan Eng (The Garden of Evening Mists was short-listed in 2012 and I then discovered The Gift of Rain) and sent me back to 1982’s winner, Thomas Keneally’s Schindler’s Ark, following my visit to Krakow some 30 years after.
But I will say this: the 2015 winner will have big shoes to fill.
The Narrow Road to the Deep North is one of the most extraordinary books I’ve read in a long while. It’s a story that cuts right to the heart of what it is to be human and left me profoundly moved. So I was thrilled to come across an opportunity to see Flanagan interviewed last week as part of The Guardian Book Club.
Flanagan talked thoughtfully and easily for about 90 minutes, answering a myriad of questions with his antipodean twang and laconic Aussie style. I was struck by his open-ness in answering, whether it was his views on books vs movies (thumbs up for books) or research vs invention (the creativity in ‘making it up’ is what he loves).
(Actually, now I think about it, he’d make a great dinner party guest.)
Despite his father’s experiences in a Japanese prisoner of war camp during World War II and his coming face-to-face with his father’s captors during a recent trip to Japan, Flanagan was at pains to say that this was not a researched book and certainly not based on his father’s particular experiences. He talked about daydreaming, imagining the horror of the death railway or catching the moment when the sun caresses a lover’s shoulder as he sat at his table and then setting out to describe what he was seeing in his mind rather than telling the reader what to see or think.
A novel is an invention of the human spirit….a contract between the writer and the soul of the reader who connects to give the story its meaning and depth.
Flanagan described the book as something he tried to escape writing, likening it to ‘a boulder on his chest’ that made it difficult for him to write anything else…since its completion, he mentioned the writing being ‘released’ and that he has a couple of projects in the pipeline.
It was difficult to write that last sentence without making it sound like some melodramatic realisation on Flanagan’s part. I’m not sure I succeeded but it didn’t come across that way at all – it was understated and sincere and I was left with a quiet feeling of admiration for this articulate Australian…and maybe just a little bit of national pride.
There is nothing left for me to say except that in The Narrow Road to the Deep North, Richard Flanagan has created a story that is poignant, unyielding and richly-drawn.
Read it – it will touch your soul.