Favourite things: Book chat

This time last year, I spent a couple of hours reading – and sheltering – inside a large marquee at the Royal Geographic Society for the inaugural Emerald Street Literary Festival. In spite of the damp and dreary weather, I had a lovely time – so much so that as soon as I saw the promotion for this year’s event, I snapped up some earlybird tickets.

In stark contrast, yesterday’s sun cast its benevolent warmth over the RGS marquee as it fizzed with London’s literati enjoying Festival number two. The rooms and theatres played host to author panels, discussions on themes like race, travel writing and witchcraft, and freebies. The Map Room had an Aperol Spritz waiting for each attendee and in the marquee, Headline Publishing were offering a choice of one of six paperbacks for those who’d booked multiple sessions – like me.

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My free book – The House of Birds – thanks to Headline Publishing

After checking out the lay of the land and collecting my book, I headed to the theatre for the first of the four sessions I’d booked for the afternoon. Here’s how it all went down.

1. Why do we love to talk about books?

The winner of the Baileys Women’s Prize for Fiction was announced this week and this panel was the last of the Prize’s official events. It comprised Kate Mosse – author, Prize co-founder and honorary director – Naomi Alderman – winner of this year’s Prize with The Power (it’s a great read) – and Ayobami Adebayo – whose first novel, Stay With Me, was on this year’s short-list. The trio took to the stage to chat about their own reading and writing and to explore the question: Why do we love to talk about books?

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L to R: Naomi Alderman, Ayobami Adebayo and Kate Mosse

Over the next 45 minutes, these three authors talked about their writing, the rollercoaster of confidence that comes with it and whether/what they actually read when they are writing something. (For each it depended on the draft number but the general consensus was don’t read the same genre as you are writing.)  There was also a really interesting discussion on criticism and I liked the way that Naomi answered this: There’s enormous value in paid-for constructive criticism, ignore the ‘abuse’ at the other end of the spectrum and remember that reader reviews e.g. Goodreads, Amazon etc. are ‘not really for us [the authors]’ but rather for other readers. Ayobami also loved that she’d discovered the mute conversation option on Twitter.

And what about the question at hand – why do we love talking about books? Well, Naomi likened it to finding this amazing new cafe and then telling everyone they should go. She also shared an observation about the personal affront you feel when someone doesn’t really love a book that you did. The chat about this swayed from jokes about ‘we can’t be friends any more’ (Ayobami) and the overwhelming urge to defend and re-sell [them] on your choice of reading material to feeling utterly shocked and deflated (Naomi). Haven’t we all been there!

2. Telling true stories: Explaining narrative journalism

This was a fascinating peek into the world of long-form journalism with Clare Longrigg, deputy editor of The Guardian’s Long Read, and Sophie Elmhirst, a journalist who’s written pieces for The New Yorker, Harper’s Bazaar and The Guardian (just to name a few.)

They chatted first about the difference between a long read and a longer celebrity profile – Sophie particularly talked about the greater amount of time invested in a long read piece to explore whatever the subject matter is (and she’s written on everything from water to Robin Wright). When a person is the subject of her article, she tries to see them at home or do something with them, and also talks to others in that world to get a range of angles to draw from. She mentioned that it’s often the innocuous thing that someone says that breathes life into the piece. For example, did you know that when Richard Dawkins‘ can’t sleep, he goes through the alphabet and assigns mammals to each letter? Well thanks to Sophie, you do now.

3. Essex Girls, Serpents and Writing a Best Seller

Sarah Perry‘s second novel, The Essex Serpent, was on the Prize shortlist in 2016 but at the time, I thought it sounded too primly Victorian to be my cup of tea. How wrong I was on both counts – it was far from prim and I absolutely loved it. So to hear Perry chat with Lucy Mangan – I have been a fan of Mangan’s column in Stylist magazine for a while – was something I was really looking forward to.

I was completely charmed by Sarah. She talked about her unorthodox upbringing, the way she has always like her eccentricity, her curious mind that ‘needed nourishment’ and her drive to explore themes in her writing to make it a worthwhile pursuit.

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Lucy Mangan (L) listens as Sarah Perry (R) reads from The Essex Serpent

Sarah spoke about exploring different sorts of love in her writing – except romantic love. She professed to being bored by exploring this as a writer and as a reader in light of her own smooth path to love and marriage – “I just found a nice man and married him.” She also talked about how her first novel, After Me Comes The Flood was published: After 19 rejection letters, her agent left the firm…and became her publisher.

Sarah’s passion, curiosity and unusual viewpoint made for a delightful 45 minutes – she’s interested in so much and for me, it’s what made her so interesting to listen to.

4. Emerald Street Presents Robin Dalton

I had never heard of Robin Dalton before the festival but she’s 96, grew up in Australia before moving to London in 1946 and has been a literary agent, TV personality, film producer and spy for the Thai government so I figured that it had to be interesting. She was promoting her memoir, One Leg Over, and read a few pages to get things started…

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Kat Poole (L) listens as Robin Dalton (R) reads from One Leg Over

She spoke of her gallivanting during the war years and her lack of ‘ambition’, preferring to live in the moment and see what happened from that rather than making any plans. And she’s had some moments – her society divorce kicked war from the front pages and her reading included anecdotes of time spent with the likes of John F Kennedy and Noel Coward.

Robin also told us that the eyebrow-raising title of the book was not intended to be salacious but rather, it captures a moment – the moment when she’s getting out of the bath, has managed to get one leg over the side and thinks to herself “that’s one leg over”.

So that was the formal part of the day. In between I found a lovely wodge of time to read – in the marquee over lunch and then later in a quiet sunny spot on the steps with a deliciously large slice of coffee and walnut cake – and indulge in a chat or two with some of my fellow bookworms.

Books, cake and glorious sunshine – what a great way to spend a Saturday!

The Good Book…

Lately, the e-book has come in for a bit of schtick.

At the end of February, Stylist columnist Lucy Mangan said said ‘E-readers are representative of our mindless embrace of all that purports to be ‘progress”. Then a month later fellow blogger Russell Ward described the Kindle as ‘cold and calculating in its determination to deliver the electronic word seamlessly to you’.

Ouch!

Admittedly I was a slow convert, clinging on to both the physical and the ritual around my serious book habit. And I still love a good book shop browse. In fact last week I had an hour to kill before meeting A-used-to-be-down-the-hill and I spent it wandering through Foyles at St Pancras Station, perusing the latest dust jackets, dipping into travel guides (I’m off to Rome for a little city break soon) and flicking through the pages of Titanic-themed tomes in the special event section. Lovely stuff.

But the thought of finding more space in my already full bookshelf, packed with old theatre programs, illustrated coffee table books – for which I have no coffee table – and those volumes dubbed with ‘re-read me status’ or acquired in youthful nostalgia (my hard back Jane Austen set and the 7-book Chronicles of Narnia being a couple of these) before my Kindle conversion, holds little allure.

On the other hand my Kindle – christened Audrey for her stylish simplicity – goes everywhere with me. There is nothing cool or calculating about immersing myself in a few quick chapters while on the bus, waiting for a friend, in the boarding lounge and even before lights out at night. Audrey is always at the ready and the Kindle shop only a few clicks away. Apart from my favourites, both old and new, I’ve discovered authors I would never have come across and been able to support the burgeoning efforts of a couple of budding writers in my blogging circle – just check out 2011’s Book Nook numbers 51, 55a and 57.

Granted a Kindle is not the be all and end all. After all, there is nothing like a travel book for sitting on the plane, standing on a street corner in a new city or sipping espresso in a funky cafe, marking the places to be seen with folded corners and scribbled annotations and plotting my next adventure(s).

And I haven’t quite managed the conversion of my magazine or Saturday Times newspaper habit yet but let’s face it, the only way to conquer the Samurai Sudoku or the cryptic version of the Jumbo Crossword is curled up on my couch, pen in hand, steaming coffee at my elbow.

But villifying the Kindle and all its counterparts seems a little extreme. Like laptops, smartphones and iPods, the e-reader is just another symbol of our increasingly mobile lives and to my mind, something that encourages the consumption of the written word in every place or space. And that can only be a good thing.

Books still have their place in my life. But for me the power lies in the storytelling.

And I get to take that everywhere.