An hour to spare

On Friday afternoon I was in Euston with a couple of hours to spare before meeting a friend for dinner near Kings Cross. Thinking that lingering in a cafe over a single coffee for so long might be pushing my luck, I hit on a fabulous idea – popping in to the British Museum.

I first visited the British Museum in 2000 and back then, barely covered the Egyptian Galleries. Since then, I have been to see specific events or temporary exhibitions but have never taken a look at the other permanent galleries. So brimming with inspiration and purpose, I trotted down Woburn Place, through the dappled shade of Russell Square and in twenty minutes, strode through the shaded museum entrance, dropped some coins in the donation box and collected a map.

With just over an hour to spare before I needed to leave, I decided to follow the ‘if-you-only-have-an-hour’ highlights route suggested on the map. I figured this would do two things.

The first was to get me in front of famous stuff I knew about – like the Rosetta Stone and the Parthenon Sculptures (I’d only known these as the Elgin Marbles before Friday’s visit) – and some famous stuff I didn’t know about. The second bonus was that it would take me through a range of different galleries so I could take a squiz and decide whether I was inspired enough to pay another, more focused visit.

I got around to just nine of the twelve objects on the map mainly because I kept stopping to look at other amazing things along the way. So the highlights trail* also did a third thing – it almost made me late! Here’s what happened.

As I’d entered from Montague Place, I was in position to tackle the trail backwards which meant making my way to the ground floor. My first stop was at the end of Room 24 to admire this awesome Easter Island statue, Hoa Hakananai’a* (below right). I then headed out into the Great Court and took a right turn into Room 4 for the Rosetta Stone* (below left) which proved quite difficult to a) get close to and b) take a decent photo of. Continuing on into Room 18, I found myself surrounded by the Parthenon Sculptures* (below middle) – it’s a huge room and this is definitely one worth coming back to with plenty of loitering time.

Brit.Mus. Rosetta Stone+Parthenon+EasterIs.

As I headed back out of the long, marble-lined gallery, I took another right turn to explore a whole load of these amazing carved Assyrian reliefs* in Room 10.

Brit.Mus. Assyria

With four highlights done, I was feeling pretty pleased with what I’d seen so far.

Next I headed across the Great Court and through the shop at the museum’s main entrance from Great Russell Street. My next target was Room 2a, home to the Waddeson Bequest. This collection is comprised of 300 objects donated to the museum by Baron Ferdinand Rothschild in 1898. I was here to see the medieval Holy Thorn Reliquary* but this was where I started to go a little off-piste, distracted by other treasures like the Palmer Cup (below left) from 1200-1250 BC and a gilt brass hunting calendar from the 1600s (below right). Unfortunately neither photo does justice to the wonderful detail in these two pieces.

Brit.Mus. Palmer Cup + Gold Hunting Calendar

Finally I reached the cabinet holding the Reliquary and I realised why this piece was heralded as a highlight on the map. I gazed open-mouthed for several minutes, awestruck by the extravagant jewels and pearls lavished all over this small gold piece.

Brit.Mus. Holy Thorn Reliquary

I trotted back out to the entrance vestibule and headed upstairs to Room 40. I’d never heard of the Lewis Chessmen*, despite them being billed as ‘the most famous chess set in the world’, and I have to say I was delighted to make their acquaintance upon my arrival.

Brit.Mus. The Lewis Chessmen

I passed into the next room (41) en route to my next highlights stop only to find myself surrounded by all sorts of treasures from Sutton Hoo. I couldn’t resist lingering over the re-constructed drinking horn (below left) and the slightly Muppet-like figurehead from the prow of a Viking ship (below right).

Brit.Mus. Saxon Horn + Ships Prow

I continued on, walking the length of the east wing and paused briefly at the end to admire some Iranian metalwork* before turning left to reach Room 56 and the very old Royal Game of Ur* (2600-2300 BC).

Brit.Mus. Royal Game of Ur

I was walking through the gallery on my way to the next highlight when I was struck by the Homer Simpson-esque countenance on this statue of King Idrimi of Alakah (1560-1500 BC). Then I drew closer to discover the intricate cuneiform etched all over it.

Brit.Mus. King Idrimi of Alakah

I found a lot to admire in this section of the museum and made a mental note to return for a more leisurely nose around. I definitely want to find out the stories that lie behind these glazed bricks from the Throne Room of the palace of Babylonian king Nebuchadnezzar II (605 – 562 BC), this tiny gold chariot (below right) and many of the other things I spied as I whizzed past.

Brit.Mus. Lion tiles + golden chariot

Back on the highlights trail again, I headed around to Room 70 in the west wing to check out the Portland Vase* (below), the Roman inspiration for the iconic Wedgwood design.

Brit.Mus. The Portland Vase

After a short walk around the display cabinet, I about-faced and headed back towards the north stairs. I was intent on getting up to the Japanese Galleries to pick up the trail again but could not help but pause at the sight of the stairwell full of Roman mosaic floor tiles (below).

Brit.Mus. Roman mosaics

I headed up to the Mitsubishi Corporation Galleries on Level 5 to eyeball this Samurai armour* from medieval Japan (below right) but got waylaid – I know, again – by this strange-looking clock (below left). Seeing these two exhibits side-by-side in the montage below makes me think of Star Wars.

Brit.Mus. Japanese Gallery

Glancing at my watch, I realised that I needed to get going to ensure that I didn’t leave my friend waiting. So I kept my head down and my eyes averted as I walked down the stairs again – but to no avail.

Brit.Mus. Large standing buddha

This is the Amitābha Buddha and she stands almost six metres tall in the lower portions of the north stairwell. She was spectacular. I had to stop.

And then I was coming down the final flight of stairs when my gaze fell upon these glorious glazed roof tiles which would have adorned the ridges of a temple complex in northern China during the Ming dynasty period (1400-1600).

Brit.Mus. Ming Dynasty Roof Tiles

And with that, I finally made it out the door and, with a bit of legging it, got back to Kings Cross just in time. Prosecco is a fine motivator indeed.

Phew!

So that was my hour of highlights at the British Museum. It has definitely inspired me to return for a meander around Assyria, Mesopotamia, Japan and the Parthenon when next I have an hour to spare.

After all, I already have the map.

York: People and a pastry

My last day in York dawned bright and blue-skied, a welcome sight after my wet Wednesday, so I was up, checked out and ready for a cruise on the Ouse (pronounced ‘ooz’ peeps – just to explain my rhyming turn of phrase) only to find that all trips for that day had been cancelled…due to flooding.

Hmmmm…

So I wandered around the Yorkshire Museum Gardens for half an hour – to make the most of the sunshine (in case it disappeared)…

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…before deciding to head into the Museum itself.

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York: Amus-(eum)-ing myself

Let’s begin by establishing that my second full day in York was a wet one. The skies grizzled ominously and gushed forth in turn so it was just as well there were plenty of indoor activities to keep me amused.

After a bracing walk along the river, I spent the morning at the York Castle Museum. Located just by Clifford’s Tower, it’s comprised of two buildings – the old Female Prison to the left and the old Debtors Prison to the right – with a gift shop (there’s always a gift shop) and cafe in between. The museum weaves an eclectic route through York society and culture during the 1800s-1900s and all it takes is a tenner to get amongst it.

I began with the Female Prison Building – containing exhibitions covering the changing nature of homes and living – and a nod to one of York’s great pillars of commerce, chocolate.

York Castle Museum - chocolate montage

The Rowntree’s company in York invented the Kit Kat and the Terry’s Chocolate…Apple?

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York: The tower, tour and tearooms

As a history buff and fan of the city break, a visit to York has been on my to-do list for quite some time (okay, since I moved here thirteen years ago). So in March, I finally got my act together, booked a bed and a spot of breakfast for a few days and hopped on a train for the two hour journey north.

I had three days to spend and a list of things I wanted to do. The weather managed to mix it up too – bursts of sunshine book-ended drizzle, rain and even a flurry of snow. But it was blue skies that beckoned as I got off the train, bouncing off bobbing yellow daffodils and brushing the distant Minster tower with soft light. So I checked into my hotel (Marmadukes Town House Hotel), dumped my stuff and headed out to explore.

York Arrival montage

I spent the last few hours of daylight wandering through the walled city’s cobbled streets and when the light finally faded, I found a cosy spot at the Lamb and Lion Inn (right under the old City Gate, Bootham Bar) to prepare my plan of attack over a quiet pint of something local.

It was a full three days – a wonderful mix of history, curiosities, architecture and breathtaking views – and I have so much to share with you. So I’ve split my York warblings into three Armchair Tours to cover the things I loved about each day.

Here’s Part One…enjoy!

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Photo tour: A walk in York

I went to York for three days in March. It’s a city that’s absolutely chock full of history – which I love – and is wonderfully walk-able – which I also love. Quite frankly, I’m astounded that it’s taken me thirteen years to get there.

True to form, the English weather prevaricated between gloriously crisp blue-sky days and a grey drizzle that bordered on menacingly unfriendly from time to time.  Needless to say there were lots of layers-off-layers-on moments as I adjusted to these changes. But that did not stop me doing loads of great stuff and taking oodles of photos.

To whet your appetite for the posts to come, I thought I’d share some of the pics that take me back and even now, take my breath away. Enjoy!

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The road to motherhood

Today is Mother’s Day in the UK.

I am close to my Mum and always have been. Even though I now live on the opposite side of the world, we still keep all the connections going and spent time together just recently when I was in Melbourne over the Christmas / New Year period.

Others are not so fortunate. Some will spend the day in remembrance whilst a great many more will fall somewhere between the luxury of close proximity and feeling separated emotionally. For still others, this is just another day.

In Australia, we celebrate Mother’s Day on the second Sunday in May so today is a bit of an awkward one for me. There’s the flurrying around me here but my official nod happens in May. I’ve been grappling with how best to acknowledge this UK version for the last couple of days.

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Inspired by: Girl power

Last week I attended Ancient Worlds, a conversation-slash-debate between historians Bettany Hughes and and Michael Scott at the Royal Institute of Great Britain. It was an hour and a half of expert perspectives and audience questions on the state of politics and its relationship with the ‘truths’ about history that we think we know.

One of the things that particularly piqued my interest was Dr Scott’s mention of OECD’s PISA – Programme for International Student Assessment. This is designed to sit outside the boundaries of school curricula to determine how well the world is preparing the next generation of 15-year-olds for global citizenship. Whilst I’m not a fan of the current levels of academic testing particularly in early school years, I do think that something that takes a global view – both a omnipresent look and a cross-cultural sampling – is important. I was also encouraged by the website’s claim that the tests are

“designed to assess to what extent students at the end of compulsory education, can apply their knowledge to real-life situations and be equipped for full participation in society.”

A few weeks ago, I had the opportunity to be a part of a similarly forward-looking approach at a local secondary school. Presentation Matters! was a half day programme for more than 200 Year 9 students designed to help them articulate their ideas and present themselves in life – from addressing larger groups and performing well in job interviews right through to talking with friends and peers.

In groups of 4-5 , the students were asked to come up with a two minute presentation aimed at Year 6 students and their parents to inspire them to attend the school. There were a couple of formal talks on presentation structure, content and delivery but in between, the girls were despatched to compile, practice and present their story – in a Semi-Final round – in their form groups. The best group – voted by their peers – went into the Final which meant presenting to all of the Year 9 students, teachers…and us.

I was one of 21 business volunteers who worked with the form groups coaching, encouraging and keeping things to time. I’ve worked with adults in this capacity before but never teenagers and I found the prospect of working with the 27 teenage girls in the form, let alone the 200-odd in the wider group, just a little terrifying. (Seriously, my props to teachers!) And whilst I wouldn’t say that I felt entirely comfortable at any point, our little team of three muddled our way through the morning and managed to conduct a Semi-Final with a) everyone in the form presenting and b) to a pretty good standard. (Boast Note: We worked with the form group that produced the winning team presentation in the Final. Not that I’m at all competitive…)

Back in the hall, in watching the seven finalists, I was struck by what an amazing opportunity this was for these young women. And they responded in kind – showing both great courage in presenting in front of such a large group and commitment to doing it well – with some pretty impressive presentations. It seems that despite the absence of political leadership over the last few weeks, the willingness to step forward, to give your best and to represent others lives on.

Girlpower past and present

London’s nod to girl power past and present: (left) Statue of Emmeline Pankhurst – leader of the suffragette movement – at the entrance to Victoria Tower Gardens, near the Houses of Parliament and (right) the Memorial to Amy Winehouse –  a unique female voice in modern times – at Camden Lock Market

I was also struck by the generous (and rather raucous) encouragement from all of the girls – there was a real sense of camaraderie, even girl power, in the room and I just loved the fact that I’d gotten the opportunity to play a small part in it all.

So on an historic morning in June – when, through democratic process, the nation charged government with the task of leaving the European Union – I felt inspired. Perhaps we need to give the next generation some credit as a pretty capable set of hands in which to place the future, whatever it may hold.

Bitter Sweet

It’s been over a month since my last historic meander so I am pleased to report that yesterday I spent a couple of hours weaving through the City’s streets in an effort to discover more about London’s connections with slavery.

We all know it happened and movies like 12 Years a Slave and The Butler have raised the public consciousness in recent years. But these have been portrayals of slavery in America and the Caribbean. When you look at these depictions and think about the inter-continental trading relationships that underpinned this industry…

…a picture of Britain is noticeably absent.

So yesterday I met with Museum of London guide Mike (yes he of my Roman fort tour earlier this year) and along with about twenty others, embarked on Sugar and Slavery, a two hour walking tour around the key British institutions involved the slave trade.

Here’s how it went.

From our meeting point at the museum, we walked down Noble Street, pausing opposite the Goldsmith’s Company for Mike’s introduction to the slave trade, before heading down Gresham Street to Guildhall Yard.

The Guildhall Yard (site of Roman ampitheatre (640x360)

Entering Guildhall Yard from Gresham Street – the Yard is built on the site of the old Roman amphitheatre.

The guilds were organisations that represented the wide variety of trades – and as such controlled the various industries – operating in the City of London. In the 17th century, Guildhall was the central seat of justice for the guilds and many a legal battle was fought in Guildhall itself.

The Guildhall (640x360)

The Grade 1 listed Guildhall

Guildhall continues to be the administrative and ceremonial centre for the one square mile that constitutes the City of London. I remember watching Stephen Fry’s Key to the City a couple of years ago where he explored what it meant to have been awarded the ‘Freedom of the City’. He also attended a banquet here – it still seemed full of tightly-held traditions and much pomp and ceremony.

We headed out onto Lothbury Street, turned down Princes Street…

Bank of England (640x359)

The Bank of England, taken from the corner of Lothbury Street and Princes Street

…to reach Bank Junction where we stopped outside the Royal Exchange. The Threadneedle Street entrance to the bank loomed above us on one side and Mansion House, the official residence of the Mayor of the City of London stood across the traffic circle in front of us.

Mansion House (360x640)

Mansion House, official pad of the City’s Lord Mayor. No that’s not Boris Johnson – he’s the Mayor of Greater London which does not include the City. The current – and 688th – Lord Mayor of the City of London is Jeffrey Evans.

Royal Exchange (640x360)

A pause outside the Royal Exchange

The Royal Exchange, founded by Thomas Gresham in 1565, operated much like today’s stock exchange – albeit without the technology – with traders and the city’s financial pundits going at it hammer and tongs from the opening to the closing bell. However, there was a point when it was suggested that business dealings should be negotiated outside the Exchange and so the emergence of coffee houses began.

You may be wondering what this all has to do with slavery – well, everything.

Slavery underpinned the British economy and pretty much allowed rich men to get even richer. Mike told us about one such man, David Lyle, an ‘absentee’ plantation owner who was also, by all accounts, a cruel master. It is recorded that Lyle pistol-whipped one of his slaves, Jonathan Strong and left him for dead on a London street. Strong was found by Granville Sharp – one of the first campaigners in Britain for the abolition of the slave trade – who nursed Strong and offered him work.

Legal battles ensued between Sharp and Lyle (once the latter learned that Strong was alive) with the Lord Mayor eventually pronouncing that Lyle had no claim as Strong was not ‘property’. This was the very same institution who legislated that slaves on ships could be thrown overboard – like possessions – should the captain believe his crew were in danger (eg. of starving due to provisions running out) and also supported the traders’ insurance claims to redeem losses from such activities.

But I digress.

The buying and selling of slaves moved out of the Royal Exchange (officially) and into coffee shops.

Jamaica Coffee House

The Jamaica Wine House (nee Coffee House) stands on the site of London’s first coffee house.

The importation of raw materials such as coffee and sugar flourished with this rise of informal ‘trading houses’ and a young West African could have his or her horrific fate sealed over this bitter brew sweetened with sugar.

We paused on Lombard Street near the Church of St Mary Woolnoth to hear about John Newton who, after years of trading and torturing slaves, reformed and became rector here in 1780. He gets a mention from me because along with poet William Cowper, he composed a book of hymns in the 1770s – the most famous of these ‘Olney Hymns’ was Amazing Grace…and I cannot tell you how many times I played that as a child when I started learning each of the recorder, clarinet, flute and violin.

We headed on past the Monument (that’s the one to the Great Fire of London) and down to the riverside by Old Billingsgate, Mike continuing to paint a picture of the sickness and fear that these men, women and children who’d been torn from their loved ones, faced firstly on-board the slave ships then upon their arrival, where they’d be poked and prodded like animals before being sold, and finally in being ‘seasoned‘ on the plantations of Barbados and Jamaica.

Our next to last stop was Lloyd’s of London, a towering metal edifice of power and money.

Lloyds of London

The original Lloyd’s of London was a coffee house in Lombard Street and as well as playing host to the wheeling and dealing of London’s businessmen, became known as a place where one could obtain marine insurance – much like it is today. That the slave trade was conducted across the Atlantic suggests that Lloyd’s too has its roots steeped in the horrors of human trafficking.

Just down a nearby alley stands the Gilt of Cain, a memorial to the abolition of the slave trade in 1807 that was erected in 2008. It was a fitting way to end the tour.

Gilt of Cain (360x640)

I walked thoughtfully back to the tube station, comparing what I’d seen in movies with the stories of the people who perpetrated, fought and suffered that I’d just heard. There was so little humanity and dignity in each of the different stories that Mike had shared. Some of this I recalled as I walked but in essence, it felt like a fraction of the full story.

There’s a part of me that wants to learn more. While I’ve seen 12 Years a Slave – and found it viciously confronting – somehow each tale told over the two hours of the walking tour left more of a mark. I’m travelling to Liverpool next week, the largest of the old slave trading ports and home to the International Slavery Museum so it is a perfect opportunity.

But it also feels a bit raw – I feel appalled, my belief in the human spirit dented a little so while I will make the most of the educational opportunity that Liverpool will afford, it may be a little while before I venture into anything more.

February: Firsts, facts and fine things

I know. It’s almost a week into March but I promised in January to review each month’s gadding about and February has been every bit as jam-packed as January. So hold on tight and here we go…

There have been a few firsts this month. I’ve already posted about my first filling and my first visit to the British Library. I also attended my first Monash University Alumni event. It’s only taken 24 years and a move across the world to do this and I did turn up wondering what this Global Leaders Network was all about. I had a great evening hearing about the university’s plans for alumni engagement around the world and sharing expat stories with like-minded Australians. How nice it was to enjoy some straight-talking Aussie banter, the room humming with that laconic Aussie twang.

Speaking of university, I have a psychology degree from Monash so I’m really interested in the mindfulness conversation that’s happening at the moment. I saw Ruby Wax interviewed on Sunday Brunch and so went to see her show, Sane New World. Not only is she a comedian but is qualified in psychotherapy and has recently completed a Masters in Mindfulness-based Cognitive Behavioural Therapy at Oxford. Her show was a frank and funny look at our pace of life, mental illness and how our bodies – and in particular our hormones – are trying to cope. I really admire her philosophy in getting ‘off your a**e and doing the work’ – she’s set up free mental health walk-in sessions throughout the run of her shows with the aim of creating a network of walk-in centres across the UK.

February has also been a month for some of the finer things in life.

I attended a talk at the V&A Museum where Francesca Cartier Brickell, granddaughter of Jean-Jacques Cartier, took us on an enthralling journey through the Cartier family history introducing us to the three brothers – Louis, Pierre and Jacq – who started it all and their commitment to innovating whilst maintaining the essence of Cartier design. She also shared many personal anecdotes, one of these about finding the Cartier history in an old suitcase full of letters in her grandfather’s wine cellar. The many family moments she shared made this talk more intimate – less like a lecture and more like a lovely conversation albeit with more than a hundred of us in the room.

It also inspired me to visit The William and Judith Bollinger Gallery at the museum. We were herded briskly through this collection of stunning jewellery on the way to the auditorium and a couple of weeks later, I turned up early for a V&A book club evening to have a wander through. However, it transpired that the gallery was only open during the day so I killed the time I had by visiting the delightful stained glass gallery nearby and also enjoyed a meander through the just re-opened Europe galleries once book club was finished.

VA

The V&A Museum on a drizzly winter evening; killing time in stained glass

I also attended a book launch at the Institute of Directors. Peter Frankopan is director of the Centre for Byzantine Research at Oxford and over coffee and croissants he talked about his new book, The Silk Roads: A New History of the World. His contention is that we are taught about history through the lens of a very small number of countries and believes that we have a lot to learn through the stories of other cultures and regions, particularly Russia and Iran, the latter having been the wellspring for language and religion more than a thousand years ago. I left unsure as to what these regions could offer but it did make me realise how uneducated I am about these areas of the world. I’m now waiting for the paperback version of the book to come out (ever tried to read a hardback on the tube?) so that I can broaden my historic horizons.

And speaking of fine things, I also saw Ralph Fiennes in Henrik Ibsen‘s The Master Builder at The Old Vic. Being able to see actors that I’ve loved on screen performing on stage is one of the absolute joys of living in London and despite being in the vertiginous cheap seats, the power of the performance still remained. It’s the second Ibsen play I’ve seen – the first being A Doll’s House which I studied at high school – and there is something fascinating about the way he explores the roles of women and how they use their personal power in a male-dominated society.

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The view from the cheap seats at the fabulously refurbished Old Vic theatre in London

Personal power also underpinned the speaker themes at the opening session of the TED2016 conference which was live-streamed into cinemas on February 16th. Whether it was 10-year-old Ishita Katyal’s opening talk, the performance from musical phenomenon AR Rahman or Riccardo Sabatini‘s vision for personalised medicine (my favourite talk of the night), it was an inspiring and thought-provoking evening and all for the price of a cinema ticket.

February also had me moved by music. My annual pilgrimage to the Flamenco Festival at Sadler’s Wells was a testosterone-fuelled performance by brothers Farraquito and Farruco which had me on my feet at its conclusion. Over at Kings Place, the Brodsky Quartet’s performance of George Gershwin’s little-known Lullaby for Strings was exquisite.

And with all of that going on, I found some time to imbibe in a well-deserved drink

watering holes

A couple of new watering holes near Holborn Station to add to my ‘let’s meet up’ list. L: The Princess Louise  R: The Ship Tavern

So that was February, filled to the brim with firsts, facts and fine things.

Phew!

Now for March…

Finding Wonderland

It was wet and grey in London yesterday and if it hadn’t been for some existing plans I would have been perfectly happy to curl up at Gidday HQ on the comfy couch. But the British Library beckoned and so just after lunch, friend Aussie-K and I stepped out for some literary loitering.

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It was our first visit to the library. Yours truly has been here twelve years and until yesterday, had only managed a passing acquaintance last year by way of a talk at the conference centre next door. Given how much I love literature and reading, I am delighted to have ticked this visit off my London bucket list and to have moved from ‘I must’ to ‘I have’ at long last.

And what, I hear you ask, made me get off my backside and go?

Well, Wonderland of course!

2015 was the 150th anniversary of the publication of Lewis Carroll’s Alice in Wonderland. It’s a story that’s been told in a myriad of formats and iterations over the years, its other-worldly characters and trippy plot making it the subject of much interpretation and debate. I saw Robert Douglas-Fairhurst interviewed about his biography on Carroll – The Story of Alice – last year (which I am currently reading) and the Library has been running a temporary free exhibition which closes in April. So we entered the fray and hustled – with what felt like hundreds of half-term families – along the cabinets and displays.

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The front part of the exhibit was taken up with a series of twelve (or was it thirteen?) decorated mirrors featuring quotes from Alice in Wonderland whilst in a rather cramped section at the rear, there was an opportunity to learn about the author himself, his real-life Alice (who happened to be a brunette rather than the blonde we’ve come to know and love) and see the ways in which this famous story has been communicated over the last 150 years. It was interesting – however the area was poorly-lit with little opportunity to linger and I found it difficult to read all of the information and look at the details of the books and manuscripts on display. I’m not sorry that I spent the time to shuffle through and see it but it’s just as well it was free otherwise I might have been a little put out!

It seemed a shame to leave after such a short visit and as it was still raining outside, we meandered across to the Library’s permanent exhibition, Treasures of the British Library.

Now THIS was my Wonderland and I spent quite some time poring over…

…drawings & notes from Leonardo da Vinci and Michelangelo…

…musical scores from as early as 1050 and from geniuses like Mozart, Debussy, Chopin, Beethoven, Bach (just to name a few) as well as a page of Puccini’s scribbled stage directions for his opera Madame Butterfly and a touch from the modern era, a burst of scrawled lyrics for The Beatles’ hit ‘Help’…

…pages and pages of penmanship from literary giants: 16th century greats like Shakespeare, Marlowe and Jonson, acknowledged classics like Jane Austen’s Persuasion, Charlotte Bronte’s Jane Eyre, Charles Dickens’ Nicholas Nickleby and Thomas Hardy’s Tess of the D’Urbervilles and even a little something from Ian Fleming, the man behind James Bond – who you could argue is one of the 20th century’s most iconic literary creations – and his short story, The Living Daylights…

…sacred texts, beautifully illustrated, from as early as the 4th century and from a  variety of religions including Judaism, Hinduism, Islam and Buddism…

…and one of the four Magna Carta documents dating back to 1215 which was sitting right alongside the original papal bull that annulled it just 10 weeks later.

It was absolutely awesome – in the true sense of the word – and these were just the highlights.

And after such a deluge of inspirational history, it was time to venture back out into the real weather, make a damp and concerted dash past St Pancras Station…

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…and around to the YumChaa Cafe in Granary Square for a warming hot chocolate and a slice of apple and apricot loaf…

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All in all, it turned out to be the perfect way to spend an inclement February afternoon in London.