January’s bucket list

I’m not one for New Year’s resolutions. My resolve tends to scatter across the year and is generally underpinned by my penchant for exploration and variety. However I do love moments, snatches of time when I am completely caught up – and sometimes out – by intense feeling, largely a mixture of delight, wonder, melancholy, outrage and curiosity. I carry this image of a bucket in my mind and I often imagine putting a particular moment into it. Somehow they all combine into a life that inspires me.

I was checking something in my calendar earlier and it occurred to me that while I share about particular experiences, I don’t often reflect on all of the things I’ve done. Fellow blogger, author and longtime Gidday follower Jack Scott commented recently “you do get about” so I thought that it would be interesting – for me anyway – to end each month this year by checking out what’s ended up ‘in the bucket’.

So here goes.

This month it all started with a new chapter in an old story and I absolutely loved Star Wars: The Force Awakens. I then moved into a Kenneth Brannagh double bill: All On Her Own, a maudlin 25 minute 3-stars-from-me soliloquy, and the hilarious 4-stars-from-me farce, Harlequinade.

A trip back in time with the Museum of London and a tour of an old Roman fort inspired my historic sensibilities so much that the Museum became a new Friend. Five days later I joined hundreds of women at the Central Methodist Hall in Westminster to listen to the Women’s Equality Party and left non-plussed and suprisingly uninspired: lots of valid and important messages but the whole thing was a bit ‘rah rah’ for me.

A decidedly French tone emerged in the second half of the month with the NY MET’s performance of Bizet’s opera The Pearl Fishers and the National Theatre’s production of Les Liaisons Dangereuses (Dangerous Liaisons) being live streamed at the Phoenix Cinema just a ten minute bus ride away. When I was raving about the latter in the office the next day, I was informed by a young French colleague that the book continues to be part of the literature curriculum in French schools and is considered “a classic”. By the way, both productions were ‘magnifique’.

I’ve also read six books this month and rated three of them a mighty 5-stars, an excellent 50% hit rate. March Violets by Philip Kerr and A Town Like Alice by Nevil Shute were my first dip into these respective writers and my return to Stephen King (and introduction to his criminal mastermind Mr Mercedes) was the recommendation of another Gidday follower, author Charlie Wade. (Thanks Charlie!)

In between all of this I embarked on some new cooking adventures with a foray into pastry (albeit frozen) as well as ‘cooking with beetroot’ and I managed catch up dinners with three different friends, one long overdue.

I also inadvertently fell across London’s Lumiere Festival on the face of the Abbey…

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…and delighted in the lighter mornings on my walk to work.

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Speaking of commuting, this gem really lifted my tube ride home one night.

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It also snowed…

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…and I celebrated twelve years in London.

So Jack was right and January was full to the brim with moments that were both planned and completely surprising. (And that’s doesn’t include what happens in my job.)

In any case, I’ve quite enjoyed this retrospective approach to bucket list-ing and am curious to see what reflecting on February might bring.

What would a look back at your January moments yield?

The Pearl Fishers

Let me start by saying I am not an opera buff. I had never been when I lived in Australia and up until about a year ago, I had seen only The Magic Flute and Tosca in the 11 years I’d lived in London. I did enjoy them (more so The Magic Flute) but did not really fall in love with opera and the high ticket prices made me question whether I was really up for exploring more.

However opera has gotten savvy and has been reaching out to woo new audiences with Live Screenings. Streaming from the English National Opera at the London Coliseum or Glyndebourne on England’s South Downs, local cinemas have become the new place to experience opera and at a far more accessible price. Aside from getting a fantastic ‘close-up’ view, there are usually introductions to the story, interviews with the stars and creative team and subtitles throughout so it is a gently educational experience as well. I’ve become a bit of a fan and have enjoyed Mozart’s The Barber of Seville and The Marriage of Figaro, a Ravel double bill – L’heure espagnole and L’enfant et les sortileges – and Gilbert & Sullivan’s The Mikado.

Last night I paid a visit to my local cinema, The Phoenix in East Finchley, and added another to my repertoire: The Pearl Fishers. Les Pecheurs de Perles was composed by Frenchman Georges Bizet and was first performed in Paris in 1863. It’s a love triangle set in ancient Ceylon (now Sri Lanka): The story of two pearl divers, Nadir and Zurga, and the consequences of their love for the priestess Leila. Bizet had some public success when this opened but critics were not so enamoured – in fact, Bizet struggled to reach any sort of critical acclaim in his career until Carmen, which opened ten years later.

Last night’s performance was by the MET Opera in New York. It was beautiful – a visual feast with an intricate tiered set, spectacular lighting and video effects and cast with a clamour of ‘villagers’. The opening score was accompanied by the most breathtaking ‘underwater’ sequence…two pearl divers, swimming in soft blue and lit from above to replicate the sun on the water – this stunning piece of choreography really set the tone for the rest of the production.

Musically it was glorious too. The score washed over the auditorium, ebbing and flowing much like the waves lapping the shores of the village, and voices were exquisite. The three lead roles comprise a soprano (Leila), a tenor (Nadir) and a baritone (Zurga). The Friendship Duet sung by Matthew Polenzani (Nadir) and Mariusz Kwiecien (Zurga), the pearl fishers, was full of poignant promise and as Leila, Diana Damrau played her soprano more like an instrument than merely a voice.

During the intermission, there were interviews with the three stars and the conductor as well as a look at how the stunning opening sequence – those underwater pearl divers – was created including a chat with the divers themselves. In the past, I’ve felt a bit put off by opera’s diva reputation but the interviews revealed passionate, everyday and extraordinarily talented people.

After two and a half hours, I made my way home feeling completely delighted by the whole experience. The Pearl Fishers has become my favourite opera and I would never have discovered it if the only route open to me was the traditional, opera-house visit. It put me in two minds, the first being wanting to see more and so this morning I booked to see the MET’s live screening of Elektra in April. But the second is that last night has inspired me to visit the traditional – I would love to experience The Pearl Fishers live.

So opera – by making access to its artistry local and affordable – has managed to tap a potentially richer seam in this patron’s future pockets.

Clever, clever opera.

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A fitting venue …waiting for the show to begin at the Phoenix Cinema in East Finchley

The wall

Last September I ventured below London’s bustling surface to visit the site of a 4th century Roman bath and house. Back then the Museum of London were opening these archaeological sites as a trial to see if there as enough interest from the public in  getting up close and somewhat personal with London’s history.

There are now a whole raft of opportunities listed on the museum’s website so it would appear that the answer was yes.

Yesterday I spent an hour visiting another site from Roman London, the ruins of the fort lying underneath the busy city street of London Wall that runs outside the museum itself. I had seen this view from Bastion High Walk on previous museum visits…

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…but had never dreamed that there was any more to see. After spending an hour with Museum of London guide Mike, I was proved wrong.

Here’s what happened.

We started up on Bastion High Walk just near the museum entrance with an overview of the site. This is Mike…IMAG4093 (360x640)

…and here are a couple of pictures from our handout. The left-hand picture shows the fort at the top left within the wall surrounding the City of London. The right-hand picture is the layout of the fort itself – the area we explored is in the middle of the outside left wall.

We headed down the stairs and along the slip road to examine things more closely. I love how these old sites are tucked in between London’s more modern buildings. IMAG4096 (640x360)

Up close we could see more of the detail – the soot blackened walls, the wear on the steps from the boots of the soldiers.IMAG4097 (640x360)

Mike pointed out this line of Kentish ragstone running along the front. This is the oldest part of the structure dating from the 4th century AD.
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Can you see the two parts of the ragstone wall? The lighter-coloured part at the front would have been built first with the darker grey section added afterwards for additional fortification.

The rest of the site dates from about the 14th century when, in typical London fashion, new buildings were simply built over the top of what was already there, the previous city being abandoned at the beginning of the 5th century. I wonder what will be built on top of us?

We then headed through a non-descript door next to the London Wall car park to visit the fort remains that are kept under ‘lock and key’ by the museum. Here’s a model of what this site – the West Gate of the Roman fort – would have looked like in its ‘hey-day’.

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Mike explained that this gate was probably more administrative than military. Gates around the wall – Bishopsgate, Cripplegate, Aldgate to name a few – aside from being defensive usually served as revenue-raisers, collecting taxes from those passing through. That this gate was un-named suggests it was less likely to support such functions.

Here are a couple of photos of the site discovered by William Grimes in 1956.

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North turret and guard room.

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The north gate

The area we visited covered only the left-hand section of model I showed previously – the guardroom and north turret, and the north gate – from the 14th century. Mike spent about 15 minutes helping us visualise the way the site would have looked, pointing out various details which archaeologists have used as the basis of their assumptions about life at the fort hundreds of years ago.

The official tour drew to a close after about 40 minutes but there was more to come. Mike mentioned that there was a piece of 4th century wall in the public car park next door that we could take a look at. I envisaged something quite small but after a brisk 10 minute walk, I was absolutely astonished to see this.

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The detail was extraordinary. You can see in the photo how the wall has been constructed for strength, stepping inwards with each row of levelling tiles (these tiles are the red lines you can see). You can also see the difference between the dressed stone on the outside and the rougher packed stone behind it.

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In London, archaeological sites are the responsibility of the land owner. Rather than being owned (and looked after) by the Museum of London, the car park is owned by the Corporation of London. It is a public space and so this historic site is at the mercy of exhaust fumes, human hands and unsympathetic modern additions.

I was really delighted to be able to see such an amazing piece of history up close (although at Mike’s request, we did not touch it – after all it is 1600 years old). But I felt irritated by its casual treatment.

A group of young skateboarders were gathered right next to it and several times I saw them lean on the wall, with some actually running into the wall itself. Granted they probably don’t understand the historical importance of this pile of stones or even if they do, appreciate it. When I think about my fascination with history, I realise that I’ve become more awestruck and humbled by it – in equal meaures – over the years. This is probably a result of my own ‘maturing’ in combination with moving to London from Australia (with its relatively shallow roots in European history) over a decade ago.

However, there was no excuse for the rubbish strewn around it by car park users and seeing the steel girder that had been inserted left me both sad and horrified.

To this end, I posted…okay, had a little rant on Instagram as I was reflecting over a post-tour coffee back at the museum. Paying for the tour itself (£5 is pretty amazing value given the expertise people like Mike provide), buying a book at the museum shop afterwards and even my new Friend membership feels like a tiny drop in an enormous ocean. Hopefully as I continue to explore what the museum offers, I will find more ways to support their work.

In the meantime, all I can think to do is to encourage you to visit these extraordinary sites – if not in London then wherever you are – to reflect on the history of humanity, how our society has evolved and perhaps consider how the story of our time might appear to the future generations.

Let’s make it a good one

Here we are at New Year’s Eve again. The year’s gone by so quickly and it doesn’t seem that long ago that I was trying to stay cool last New Year’s Eve Down Under. Time flies doesn’t it? And speaking of fun, I’ve managed quite a bit of it over the last 12 months.

After returning from my bi-annual pilgrimage to Melbourne (and a fab top-up visit from Lil Chicky) in January, travelling-for-work was much less frequent this year but I managed to find some cash and conquer some new frontiers. Ten days in Seattle with Seattle-A heralded my first trip to Canada, I spent four fabulous days in Stockholm at the start of August and then jetted off for a week of sun, sand and a whole swag of reading in Mauritius in November.

Speaking of reading, I smashed my book-a-week target by 25% (I read 65) and 8 of them got a Gidday 5-star rating (that’s 12.5%). I discovered Henning Mankell recently and will be reading more of his Kurt Wallander series next year. And while it doesn’t count in 2015’s quota, I am in the middle of my first Philip Kerr – March Violets with protagonist PI Bernard Gunther – and if things continue as they are, the new year looks set to start with another big fat 5 star rating. Awesome.

There have been many theatre outings over the year, Death of a Salesman being one that I studied at high school yet hadn’t seen and the most recent being Hangmen which featured a cracking ‘noir’ plot and really great characterisation. I’ve also been back to Sadlers Wells to be swept away by the Rambert Dance Company and transported to Spain at the opening of the London Flamenco Festival.

I’ve upped my Live Screening ante enjoying some new (well new to me) Shakespeare – Love’s Labors Lost, Othello and The Winters Tale – and several operas including my first Gilbert and Sullivan operetta, The Mikado. Live Screening also delivered a theatre highlight – Man and Superman – and a new crush, Ralph Fiennes. When seeing his face alight with joy in taking the final bows, well I may have had a little weak-at-the-knees moment…okay maybe not so little.

I’m finishing the year with a two week staycation. Christmas was spent with friends in SE London and aside from an outing to Borough Market and Southwark Cathedral with another friend yesterday, I have just enjoyed being at home. I’ve still got five days off before I go back to work so plenty of time of time to complete my Christmas jigsaw puzzle, finish March Violets and catch up with friends for a little Star Wars, drinks and dinner.

It’s almost midnight here, Bryan Adams is rockin’ it out on the telly and before long, the crackle of fireworks will be heard overhead as those locally organised start the new year with a bang. All that remains is for me to wish you the very best for 2016…

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Let’s make it a good one.

My favourite things: Festive films

It is the last weekend before Christmas and having despatched most of my presents to their respective other sides of the world several weeks ago, all that remains is for me to do a few last minute things at home before the big day on Friday.

What it also means is that I’ve been at home all weekend and after immersing myself in the glitz and glamour of Strictly Come Dancing’s [very grand] Final and the last two episodes of the awesome Netflix series Bloodline last night, Sunday on the box is set to deliver a few more of my favourite things.

As I’ve been tap-tap-tapping away, Mr Wonka has led his five golden ticket winners and their ‘plus-ones’ along the red carpet and into the most fabulous factory in literary history. Gene Wilder is the quintessential Willy Wonka for me, combining playful joie de vivre with an other-worldliness that the later movie just did not capture. I’ve already welled up at Mrs Bucket’s “Cheer Up Charlie”, “Pure Imagination” is one of all-time musical favourites and I can feel a bit of “Oompa Loompa-ing” coming on in the not too distant future. Very little beats a bit of Willy Wonka & the Chocolate Factory on a rainy Sunday afternoon.

And then later on tonight, free-to-air channel ITV is running a live TV adaption of The Sound of Music from the soundstages at London’s Three Mills Studio. There are some well-known faces (to me anyway) in the cast from some of my favourite TV shows – Kara Tointon and Katherine Kelly from Mr Selfridge, Julien Ovenden from Downton Abbey, Alexander Armstrong from Pointless and Mel Giedroyc from The Great British Bake Off to name a few – so it promises to be a splendid night on the comfy couch at Gidday HQ.

The week that stretches in front of me holds just three days in the office before a welcome two week break.

I’m not heading Down Under this year but will instead spend a few days with my very good friends and their family in South East London. There’ll be plenty of good food and wine and a bit of spirited board game-ing on the big day plus the promise of A Muppet Christmas Carol – an annual tradition on Christmas Eve afternoon for them – to get us all into a festive mood.

(My version of this is the 2004 musical version of A Christmas Carol starring Kelsey Grammer as Scrooge and Geraldine Chaplin as the ghost of Christmas yet to be – it’s tearfully, wonderfully fabulous.)

A Christmas Carol DVD

And then it will be on with the rest of my London staycation. I’ve got a couple of theatre forays planned as well as some potential gallery and museum excursions in my sights. Then there’s shopping, reading and catching up on a few things to ready myself for next year. Perhaps there’ll even be time for a pyjama day or two.

In any case, with just five sleeps to go until Santa sleighs his merry way across the world, I’m all set for a huge helping of festive nostalgia.

It just wouldn’t be Christmas without it.

Cruising London: Photo tour

Last Saturday I spent a leisurely three hours on the Museum of London‘s Frost Fairs cruise along the River Thames.

Frost Fairs are a rare occurrence in the pages of London’s history. They were held when a combination of winter-y elements meant that the River Thames froze over and created a lot of excitement for Londoners. Our Museum of London host told us that the earliest Frost Fair was likely to have occurred in 1114-1115 between Westminster and London Bridges when all sorts of activities  – shopping, drinking and eating, and games like skittles and ice-skating – were at the disposal of those who dared to venture out onto the river’s icy surface.

But it was a double-edged sword as while many entrepreneurs and well-to-do celebrated this rarity, a third of Londoners depended on the river for their livelihood and so were left destitute when they could no longer ply their many trades.

The last Frost Fair occurred in 1814-1815: Once the old London Bridge was demolished and the new bridge – constructed by John Rennie and opening in 1831 – was in place, a more free-flowing river was created, giving little opportunity for ice to “dam up”.

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Cruising under Rennie’s London Bridge

So last weekend I made my way along the embankment to Westminster Pier, boarded the Pride of London and took my place on the upper deck. It was one of those grey London days – not as pretty as a crisp blue-sky day but it did lend something quite atmospheric to the usual view. Here’s a little photo tour of my time on board.

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Boudicca vs Big Ben – looking up from Westminster Pier gives you this great perspective.

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Blackfriars Bridge – trains stopping at Blackfriars Station actually stop on the bridge.

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No Thames cruise photo tour would be complete without a shot of Tower Bridge

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I loved this row of old bankside houses – the two building to the left of the row stand like sentries at the entrance to one of the many channels that branch off the river.

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The cruise took us all way downstream to the Isle of Dogs and the Greenwich Peninsula, the latter being home to the Millenium Dome (or as it’s now known, the O2 Arena). It does look like some sort of alien ship has landed.

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This is the Royal Naval College in Greenwich – you can see the Royal Observatory in the background (which by the way is a great place to visit.)

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And this is the famous Cutty Sark, just a hop step and jump away from the Naval College

Along the route back, the daylight had started to fade and I spent most of the time just watching the bank glide by, the wake from the various river craft creating foamy ripples along the shore. Before long, we were cruising past the modern shapes of London’s City Hall and The Shard…

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London’s City Hall is the curved building on the left and look how the tiny white-lit Christmas tree mirrors The Shard that overshadows it.

…and London’s lights glowed in the dusk as we continued to cruise back towards Westminster.

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Southwark Bridge

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The London Eye

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Passing under Westminster Bridge gave me this atmospheric view of the Houses of Parliament’s Victoria Tower

Soon it was a quick under and back again with Westminster Bridge, a gentle drift towards Westminster Pier and with my head full of what I’d seen and heard, I disembarked and headed home.

I am a big fan of the events put on by the Museum of London and this was such a great way to spend a few grey and blustery hours on a Saturday afternoon. So I hope you enjoyed this little photo tour a fraction as much as I enjoyed for real.

Twinkle twinkle

It’s the first weekend in December and here at Gidday HQ, that means that it’s time to get festive and put up the Christmas tree.

I love doing this, especially as I only do this every second year when my Christmas is a London-based one. It reminds me of living at home in my late teens/early 20’s when, for a few short years, Lil Chicky and I would set aside an afternoon to decorate the Christmas tree at Mum’s together. The tree itself usually needed some MacGyver-like ingenuity to ensure it stood tall and straight for the festive period and bore up under the weight of copious amounts of tinsel and general Christmas bling.

So today I pulled the boxes down from the high cupboards. I tested all the lights and untangled the string of gold beads that I drape in lieu of tinsel. And I laid out all of the ornaments I have collected over the years – from my travels, gifts from friends and family and nods to my Dutch and Australian heritage – and with the jingling bells of Christmas movies on TV in the background, Gidday HQ  got  a dose of Christmas spirit. Here are just a few of my favourite festive things…

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My wreath has had an Aussie update this year

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I bought this fantastic festive tea-light holder in Dusseldorf in 1999

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The tree gets quite full so in recent years I’ve taken to displaying some ornaments separately – the gold and red baubles are personalised ones from Mum and the one in the middle is a nod to sisterhood from Lil Chicky

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Here’s a bauble from a work trip to the Big Apple in 2005  (it had to be done)…

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…and this hand-painted glass bell was purchased in Rynek Glowny (the main square) in Krakow in 2012

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For years my tree has featured this hand-made (not by me!) angel – this year she’s sitting on an apple to keep her upright.

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I love this fabulous shoe, unearthed from a Christmas stocking during one of my bi-annual pilgrimages Down Under (my mother knows me well).

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Lil Chicky snuck this back from our Amsterdam trip in 2013 and hid it in my flat for me to find…

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…and she gave me this one courtesy of her trip to Japan in 2014.

I have A LOT of Dutch ornaments. I just can’t help bringing a little piece of my ancestry back from every visit I make.  You see, there’s a fabulous Christmas shop down by the Singel flower market in Amsterdam – I’m sure I’ve kept them in business – where I spend my last day on each visit working out how to get these fragile purchases a) into my already full luggage and b) back home in one piece.

I’ve managed to restrain myself – here are just two of them…

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Anyway, the deed is done. The tree is up, the lights are twinkling and Alfie Bear has donned his Christmas hat, ready to join in the festive fun. And there are already a few presents under the tree with this year’s Christmas bonanza from Mum arriving a couple of weeks ago.

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Alfie Bear is a fixture at Gidday HQ, having come into my life as part of a redundancy gift in 2008 – he loves Christmas as much as I do.

So if I go missing in action at all, you’ll probably find me sitting on the comfy couch at Gidday HQ  admiring the view…

There are 19 sleeps to go until the big day peeps – are you feeling festive yet?

British…With A Twang

I’ve been living in London now for more than ten years and lately I’ve been thinking about forking out some of my hard-earned pounds for British citizenship. 

I have no plans to make my home elsewhere. I’ve blogged before about my pride in the life I have built here and I still love London. Yet there is a part of me that wonders whether some change in legislation or circumstance might result in my losing my right to live and work here (for the uninitiated, this is called Indefinite Leave to Remain in the UK).

With all of the travelling that’s been going on of late, I love nothing better than coming back to London’s grit, its hustle and its stiff upper lip-ness – things that I never thought I’d love given the qualities I miss most from Down Under are our laconic ease and quintessential directness. And my London friends tell me that I’m still identifiably Australian.

But in the last few weeks, meeting new people has been met with ‘You sound English – but there’s a twang in there? Where are you from?’ as opposed to the previous ‘Are you from Australia or New Zealand?’

Back in June 2011, I read an article in the Australian Times which asked Are You Losing Your Australian-ness? and at the time, I identified two things:

1. I was about 41% of the way along the list of 12 steps indicating British-ness.

2. That British-ness would overtake me after about a decade.

So it seems that the article was true to its word – linguistically speaking that is. But as we Australians can maintain our Aussie citizenship and hold a British passport, it’s not like I have to relinquish everything. It will just be that my divided heart will be manifested in dual nationality. 

Life has a funny way of throwing one a curve ball and while I might be sitting in the dugout waiting for the next ‘batter up!’ (I’m in America at the moment so please excuse the additional third-cultural reference), previous innings have shown that it’s best to be a little prepared.

So it means I have to fork out some cash and get a few details together…like details of the last five years of travelling…to complete my application. 

Now that’s going to take some doing…


…because quite frankly, this is just the tip of the iceberg!

No Bed-Hopping Allowed…

It’s been about a month since I posted. 


It’s an unexpected state of affairs for me as there’s been a lot of great stuff going on including birthday number 45 (note the absence of the all important birthday countdown), a wedding and five overseas trips in the space of six weeks. And I love sharing this kind of stuff.


But I’m full. Like an over-stimulated child at a birthday party, full of the thrill of new people and the excitement of new experiences, who absolutely insists it is not time to go home yet who falls asleep in the back of the car the minute you leave the driveway.

I feel so full that I’ve struggled to choose something to write about. It’s like someone tipped about 20 jigsaws worth of puzzle pieces into my head and I just can’t work out where to start. Corners, borders, some obvious part of the middle bit…it’s all felt a bit much to deal with and I’ve found myself going around and around and around – and then doing nothing at all – on a fairly regular basis.
So that’s where I am at – I am tired. That’s it. Nothing more, nothing less. Just tired.
And as I look forward to being at home – in my own bed – for ten days in a row, well it feels like absolute bliss.

So for the next week or so that is where I’ll be…unless well, of course…

This year’s winner for the birthday card of best fit…
So Şerefe, proost, santé, cheers and bottoms up!

After all life is for celebrating and there are 356 days to go celebrate until birthday number 46 wraps its arms around me.

Around The Globe…

You know I love London. And you know I love a walking tour. So you may not be surprised that last Sunday I was up and out early-ish to join one. 

This is my third walking tour with Blue Badge guide Paula Cooze, the first being a wander through the City in Shardlake’s Shoes last September and the second exploring the City’s architecture from the Barbican to Bishopsgate in January this year. This time there was a wander around the globe to look forward to…Shakespeare’s Globe that is…so I trundled tube-style down to London Bridge Station and ambled over to our meeting point at the theatre. This is what followed…

You are right. This is not the Globe theatre but it’s right outside The Anchor pub on the river bank. As I was waiting for the appointed start time to approach, I found myself quite taken by this quaint, quasi-seaside scene with The Shard looming in the background.

This is the Globe theatre built in 1997 after the first was destroyed by fire in 1613 and the second pulled down in 1644 (after being shut down by the Puritans in 1642). 


It is said to be a faithful reproduction of the original – while no plans were ever available to study, local archaeological sites have revealed clues which have been used to make this version as authentic as possible.  

This is the original site of the theatre: Old Theatre Court in Park Street, about 230m away from the current replica. You can pay close to £2,000/month to live in a 71 square metre, one bedroom apartment here.


Speaking of money, the rebuilding of Shakespeare’s Globe would not have been possible without Sam Wanamaker, an American actor and director who set up the Shakespeare Globe Trust in 1970 to rebuild the theatre. The contributions of those who made this possible are celebrated in the paving stones in the theatre courtyard whilst the candlelit theatre that opened next door last year – the Sam Wanamaker Playhouse – honours the man himself.

Clockwise from top left:  Prunella Scales (Sybil Fawlty in Fawlty Towers); Nigel Hawthorne (Sir Humphrey Appleby in Yes Minister); Zoe Wanamaker (My Family, Harry Potter and the Sorcerer’s Stone and Agatha Christie Poirot series as Ariadne Oliver)

Our next stop was the former site of the Anchor Brewery further along Park Street.


Built in 1616 by James Monger, the brewery grew to be the largest in the world in the early nineteenth century. After a succession of owners and a merge with Courage in 1955, the brewery itself was pulled down in 1981 to be be replaced by council estate housing (top right). 

The Anchor Tavern (bottom right) still stands in its Bankside location nearby and history marks this site as having had a public house on it for 800 years. Aside from some reputedly excellent fish and chips, it has played host to Tom Cruise and Ving Rhames in the closing scenes of the movie, Mission Impossible.  And if you turn around and look across the river, you’ll see just why Samuel Pepys wrote of sitting at ‘this alehouse’ watching the great fire of London…

The golden orb of the Monument stands amidst the geometry of the modern city. Laying the column down brings the tip to the site of the bakery in Pudding Lane where the Great Fire of London began in 1666.

Around the corner and though the arch we walked to stop outside The Clink.

Left – Clink Prison Museum;
Right – a Dickensian view from the corner of Redcross Way and Park St.

The Clink was a notorious prison in London and operated from twelfth century through to 1780. It was part of the estate of the Bishop of Winchester (you can see the remains of his palace a little further down the lane) and originally housed prisoners who held views opposing those of the clergy. Profiteering was rife amongst the wardens who sold food and ‘better’ lodgings to those who would pay and to facilitate this industry, prisoners were released to beg during the day and earn ‘their keep’ at night. It later became a debtors prison – thus the reference to Dickens’ tale of Little Dorrit above. It is now the site of The Clink Prison Museum so you can still pay for the privilege of a visit.

At the end of Clink Street, past the remains of Winchester Palace, stands the replica of Frances Drake’s Golden Hinde.


I have blogged about both the palace and the ship before so if you’d like some Gidday witterings on these, you can click here. What I really want to share with you is the legend of Mary Overie (Mary over the river).

Long before there were any bridges to get you across the Thames, ferryman John Overs made his fortune by monopolising the shipment of cargo and people from river bank to river bank. Being incredibly tight-fisted, he had refused to pay the dowry for his daughter Mary to be married to the man she loved. In fact he decided that if he pretended to be dead for the day, his family and servants would mourn and their fasting would save him the cost of food. Wrapped in a burial shroud and lying silently in a coffin, he was dismayed to find that instead of going to plan, his servants were delighted by his demise and celebrated by unlocking and helping themselves to the pantry. Finally he could lie still no more and arose ready to admonish his staff – but one such servant, thinking him to be a ghost, struck him over the head with an oar and killed him.

Mary wrote to her beloved that they were free to marry but tragedy struck when his horse stumbled and threw him en route to her, killing him. Mary refused all other offers and instead formed the priory of St Mary Overie where she lived until her death. 

Always something new for me to learn on Paula’s tours.

Anyway, on to the next stop just around the corner – Southwark Cathedral.


Some have placed the foundations of the building as far back as 606 but the more commonly held view is that it has been in existence since the conversion of Wessex in 886. The site has undergone many iterations over the centuries with the photo to the right showing the different levels of pavements and thoroughfares (as well as a coffin). Southwark Cathedral was even named in the Domesday Book of 1086. 

We dived into Borough market next, ghostly quiet without the hustle and bustle of its Wednesday-to-Saturday trading. 

As we emerged from the labyrinth of empty stalls, we came across yet another famous Globe but from the modern era.

This is, in fact, the window of Bridget Jones, (yes she of the diary) from which she peers out into the snowy night in the final scenes of the film to see Mark Darcy striding away. Yes it’s true. The movie was on a few days after this walk so I checked it out for myself.

Leaving the market behind us, we walked down Southwark Street past the Hops Exchange…


…and crossed into Redcross Way to our next stop, the Crossbones Graveyard.

This site started out as a medieval burial ground for the area’s prostitutes and by the 18th century had become a paupers’ graveyard which was then closed in 1853. There were excavations on this site during the 1990s, carried out as part of the extensions to the Jubilee Underground line which unearthed the bones of the dead in 148 graves. The local community in campaigning to create a permanent memorial garden, continues to add to the poignant memorial created along the fence and holds a memorial vigil at the gates at dusk on the 23rd of each month.

Turning back we crossed back over Southwark Street and rejoined Park Street, coming to our penultimate stop…


This plaque shows two draymen beating Julius Jacob von Haynau, an Austrian general who was well-known for his brutality in suppressing insurrection. This particular incident happened following several narrow escapes of mob violence when von Haynau was High Command of Hungary, with the two men setting upon him during his visit to the Barclay and Perkins Brewery (previously the Anchor brewery). Let’s just say that the protagonists were very much lauded for their ‘chivalric’ pursuit of justice in the realm.

And then we wandered around the corner to find ourselves back at The Anchor and the end of our tour. It was such an interesting two hours, full of fun stories and historical titbits that, despite having explored this area before, I did not know about – and you know how I like discovering London like this. The really amazing thing is that when I look back on where we walked, it wasn’t a large area and I was left in awe of how historically rich this city is. 


So if this inspires you and you’d like to know more, visit Paula’s website –www.crossingthecity.co.uk – and find out where next she might take us.

But I have first ‘dibs’ okay?