Men of imagination

I’ve had an extra couple of days off to extend my Easter into a 6-day break and it’s been a lovely mix of lolling about at home and getting out and about to explore more of this amazing city.  As some of you know, the Museum of London is a favourite of mine but this time I went to wander through the Sherlock Holmes exhibition (which finishes on the 12th of April – how did I nearly miss this?)

icons of Holmes

Detective Sherlock Holmes featured in the 4 novels and the 56 short stories of Sir Arthur Conan Doyle. Conan Doyle trained as a physician in Edinburgh in the late 1800s and also started writing during this period. He had limited success until the publication of Holmes’ first outing in A Study in Scarlet in 1886 with the sequel, A Sign of Four, published in 1890 while Conan Doyle was studying opthalmology in Vienna. He then wrote The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes, each comprised of 12 short stories and elevating Conan Doyle to being one of the best-paid authors of the time.

But Conan Doyle was unhappy with the time ‘taken away’ from more serious writing pursuits and in 1893 wrote The Final Problem, plunging Holmes and Professor Moriarty to their deaths at Reichenbach Falls. But Holmes had taken such a firm hold in people’s minds that in response to public outcry, Conan Doyle resurrected his popular protagonist in 1901’s The Hound of the Baskervilles and continued to scribe his consulting detective’s adventures until 1927.

It is worth remembering that Holmes is a man of imagination – the imagination of Sir Arthur Conan Doyle. Conan Doyle created a quirky, impatient and sometimes unlikable character who loved the gossip columns and yet was in equal parts enthusiastic and dismissive of society and its pretensions; who could wax lyrical on criminal method and motivation yet exhibited such anti-social behaviour that at times, you might question how Holmes could have any insight into people at all. I wonder whether there was something in Conan Doyle’s interest in freemasonry and mysticism that brought an extra potency to his complex and quite frankly addictive protagonist.

Anyway, I love these stories and although I have not read them all, I have seen many of the TV adaptations starring the marvelous Jeremy Brett. So it was with Brett’s brooding portrayal in mind that I entered through the bookcase and spent just over 90 minutes wandering though both memories and memorabilia.

the bookcase

It was fabulous and I am now reading The Adventures of  Sherlock Holmes again.

Then yesterday I went to visit Churchill’s War Rooms. I’ve been meaning to do this for years and so I battled the Easter holiday hordes trundling along Whitehall and descended the steps beneath King Charles Street to the museum below. This underground labyrinth contains both the original War Rooms – left as if someone simply turned the lights off in 1945 and closed the door behind them, leaving everything just as it was – and the Churchill Museum, which covers this charismatic man’s entire life.

Like Holmes, Winston Churchill was a strong and opinionated character who fell in and out of the affections of his public. He was a committed politician and stood for office several times in his constituency and for the office of Prime Minister. He also wrote from the age of 21 to supplement his income and was awarded the Nobel Prize for Literature in 1953.

I feel devoutly thankful to have been born fond of writing. Churchill, Authors’ Club, London, 17 Feb. 1908

Had World War II not broken out Churchill may have been written off as a failure. Despite early popularity as a war correspondent and his escape from capture during the Boer War, he lost his position as First Lord of the Admiralty following the Gallipoli campaign and his opposition to home rule in India and support of the abdication of Edward VIII throughout the 1930s did nothing to restore his reputation. It was during this period that Churchill raised his concerns regarding the activities of Hitler and continued to warn against the dangers of appeasing such a man. His warnings went unheeded not only because of Churchill’s reputation as a war-monger but also due to Britain’s aversion to embarking on another ‘bloody’ war.

But circumstances conspired to create the right place and time and Churchill captured the public’s imagination by demonstrating his great passion for his country in his speeches – the words he wrote and then delivered into history:

We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, Churchill to the House of Commons, 4 Jun. 1940

There were many other speeches which stirred the nation and in fact the world, and Churchill went on to lead his country both during and for some periods after the war and to continue writing the pages of history until his death in 1955.

I consider that it will be found much better by all parties to leave the past to history, especially as I propose to write that history myself.  Churchill, speech to the House of Commons, 27th Nov. 1914

That two such iconic British characters can cross the divide between fact and fiction is quite extraordinary to me. While we will never know Sherlock Holmes (because he’s not actually a real person), the visit to the War Rooms made me wonder how much of the real man – Churchill – is about the ‘facts of the matter’ versus being inspired by the imagination.

Churchill campaign poster

How do we ever know where the facts end and fiction begins?

The Great British Boast Off

You might think that the British are a modest bunch. Not for them the brash competitiveness of the Americans, the super-styled ‘look at me’ of the Italians, the colourful flamboyance of the Brazilians or the voluble national pride of the Indians. No, Brits are self-effacing, stoic types who enjoy a moan through their stiff upper lip much more than a me-moment.

Or do they?

The proliferation of ‘Great British’ television shows might suggest otherwise and whilst singing contests for warbling amateurs demonstrating their vocal chops have long been a fixture of reality TV, a range of more everyday pursuits have found their way into our living rooms.

To my mind, this spate of TV DIY-ness began with The Great British Bake Off.

For the uninitiated, a group of home bakers compete in a flurry of flour, butter, eggs and sugar to win the title of Britain’s Best Amateur Baker. The series began on BBC2 in 2010, when Britain’s recession forced wallets closed and people indoors. Five series on, GBBO has reached both BBC1 and an average viewership of more than 10 million (up from 2.7 million in Series 1). It has spawned spin-offs such as Junior Bake Off, The Great Comic Relief/Sports Relief Bake Off (2 series of each so far – the Comic Relief version is running at the moment) and segued jauntily into 15 other countries – I’m thinking that Denmark’s The Great Baking Joust (Den Store Bagedyst) sounds like quite a competitive arena versus the British Bake Off tent that I know and love. Series 4 attracted more than 10,000 applicants and 2014’s Series 5 was accompanied by An Extra Slice where the latest departures could lament the justice of their elimination.

The series has been credited with reigniting the public’s love of baking and I count myself amongst this number. During said recession, finding a relatively low cost hobby to keep my hands busy and my mind off the financial challenges my circumstances had brought to bear provided many moments of simple and joyful accomplishment. And I find nothing more enjoyable (well, maybe a gutsy red wine with some great cheese) than curling up on the comfy couch after a hard day at the office for a little armchair judgement of a dozen spatula-wielding amateurs.

It would seem that success breeds….well copycats. And every time I turn on the telly, there appears to be yet another amateur home-challenge to be taken on.

2015 has already given us the third series of The Great British Sewing Bee. It’s a similar format to GBBO with ten sewers (yes that’s what they are called – an unfortunate homographic coincidence and should be pronounced so-er) judged by experts from The Women’s Institute and from Savile Row for their worthiness to the claim of Britain’s Best Home Sewer (now remember the pronunciation peeps). Contestants stitch their way through three challenges – Pattern, Alteration and Made-to-Measure – to produce, among other things, necklines, patch pockets, men’s shirts and evening dresses. It appears to be gathering momentum with the number of episodes doubling to eight for Series 3.

Then there’s The Big Allotment Challenge, again from the Beeb. Series 2 has just concluded with nine budding horticulturists taking on six weeks of Grow, Make and Eat challenges in the heart of the English countryside. This enterprise takes a bit more long term planning for the chosen green-fingers-and-thumbs (4 months) – even I know that it takes longer than a few episodes to grow a bounty – and as a bonus, throughout the series you could download each contestant’s plot layouts if you felt particularly inspired to ‘allot’ for yourself. In case you are wondering, I did not, despite my efforts to cultivate a little self-sufficiency with a Gidday HQ patch at a previous time and location.

And then The Big Painting Challenge starts tonight with week one’s theme – landscapes – to be painted at Hogwarts (aka Alnwick Castle, Northumberland). Ten amateurs will pit their paintbrushes against each other to be crowned Britain’s Best Amateur Painter where the glory of winning  the title seems to hold significant appeal. Consider this: the show attracted more than 6,000 applicants against the Sky Arts Landscape Artist of the Year (previously Portrait Artist of the Year)  which offered the winner a £10,000 commission (and which is added to the National Trust‘s permanent collection) and a previous show, BBC2’s defunct Show Me The Monet, giving the winning artist the chance to sell their works in a London gallery.

So despite the self-effacing stereotypes that abound, these shows suggest that the Brits do like a contest and that the glory of a title is enough to encourage them off their couches and into their kitchens, sewing rooms and the great outdoors. This may not be surprising when you consider that titles still ‘matter’ here and ‘lordship’ is bestowed on those not born to it on what seems to be a pretty regular basis.

Rumour has it that the next in the BBC’s arsenal of challenges is one for the angler – travelling around the world to prove themselves across a range of fishing locations and techniques. It just might be worth watching this – after all what could be more entertaining than to see who will be crowned…

…The Big Fish?